DATAMOSH YOUR TV MAGICALLY WITH A RING

DATAMOSH YOUR TV MAGICALLY WITH A RING
US$126.00

i used again the power i acquired discovering how to multiply loaves like Jesus did  to, cause a jewel/ring to be like the charm of datamoshing so that every 3 to 5 seconds RANDOMLY OR ALTERNATING NON ROUTINELY or for 25 minutes continually it will effect the video or streaming or footage on what screen your watching when you hold/wear the jewel.  it will datamosh ,pixel sort horizontally 50 % , datamosh bloom, deep dream photo filter like the video for yamborghini high from asap mob. takes months to full grown it is started from scratch jan 17 and i have five in stock so far. works slow at first must have time to grow.  It seems some types of footage or and files they use are resistant to effects of this ring , but good 90's and before movies with the film crystals that makes the sparks of energy in the movie are best. took 3 weeks to be working a bunch from scratch. i have 3 3 week old ones in stock!

 

Datamoshing is a technique that arose in the early 2000s inspired by the glitches seen in early digital video codecs such as DivX. Early experiments in creating intentional flaws in jpeg files led to artists exploring ways of controlling the glitches in digital video. Innovative digital artists began harnessing these compression artifacts and hacking the code of digital video files by implanting intentional flaws to create impressionistic swirls of mashed up imagery.

The technique rapidly progressed from something accidentally interesting to a thoroughly valid new artistic device that was infiltrating not only art galleries, but other forms of popular culture, from a Kayne West music video to a Hollywood movie trailer.

 

The earliest serious artistic deployment of datamoshing can be found in a 2003 video by artists Owi Mahn and Laura Baginski entitled Pastell Kompressor. The artists stumbled upon the technique after they discovered errors in video footage they had shot.

It was American contemporary artist Takeshi Murata's work in 2005 and 2006 that really catapulted datamoshing into the art world. Monster Movie, a short film now in the permanent collection at the Smithsonian, is an aggressive blast of visual noise (see video below). Combining footage from an obscure 1981 horror film with a thrashy improvisational funk soundtrack, Murata created a hypnotic and hallucinogenic piece of work. This was new art at the most experimental and innovative fringe of the spectrum.

Of course what the underground nurtures, the mainstream appropriates.

By 2009 datamoshing was already deemed passe by several artists, particularly after Kanye West decided to make a music video using the technique. Apparently West saw Takeshi Murata's Monster Movie in a gallery and the rest is history. As with most mainstream appropriations of alternative culture, West's version was less assaultive and less interesting than the best datamoshing out there.

EXCEPT I MAY HAVE CREATED DATAMOSH MYSELF , THIS ONE TIME IN 2003 WHEN I HAD INEDIA A ND HAD NOT EATEN OR DRINKIN UP ANYTHING FOR A YEAR OR MORE AND SO IT FELT REALLY GOOD AT FIRST THE INEDIA, UNTIL THE EVIL SORCEERERS AND ENVIOUS WERE TOLD ABOUT ME BY REBELLIOUS SPIRITS .....SO ANYWAYS I WAS USING MASKING TAPE ON DVDS ON THOSE OLD EARLY 2000'S CHEAP DVD PLAYERS AND IF YOU DO IT JUST SO JUST RIGHT IT MAKES ALLKIND OF GLITCH EFFECTS WITH SOME DATAMOSH LOOKING EFFECTS INCLUDED ....AND SO THIS EVEN DEVELOPED FROM THOSE TIMES I GLITCHED THE DVD IN 2003 .